Indra publishing

Paul, a young Australian priest arrives in the Philippines in 1971 as Martial Law is proclaimed by President Marcos. His idealism exposes him to first-hand experiences of violence and corruption, to injustices, and above all to the heroism of Filipinos during this extraordinary period of Philippine history. And in his personal life, Paul has to confront the loneliness of the celibate foreign cleric, living alone in the tropical fecundity of Mindanao.

The narrative confronts issues still critical to contemporary society - the misuse of power and the struggle for human rights, issues of sexuality and religion, and the search for identity.

‘ … a story … about the impact of repression on the human spirit - and the way, despite all odds, humanity struggles endlessly against worldly authority.‘ - Justice Michael Kirby

Oct 2005, 176 pp
Paperback, 210 x 138 mm
Fiction; 1st Edition,
ISBN: 1 92078715 1
RRP $aud 26.95
ISBN(13): 9781920787158

The Author
John Bartlett worked as a Catholic priest in Mindanao in the Southern Philippines from 1971 until 1980. He returned to Australia and left the priesthood, working in a variety of jobs for the next twenty years before returning to his first love - writing.

His features and short stories have been published in a variety of newspapers and magazines and he works now as a freelance writer, editor and teacher. John lives on the southern coast of Australia.

The Trembling Bridge, by Manfred Jurgensen, explores migration as a rite of passage. It tells the story of Mark, a story in two parts. Part 1 is his boyhood in southern Denmark and northern Germany toward the end of WWII. The second part is about his migration and settlement in Australia, the land of the “beautiful enemy”.

Mark is delicate as a child, who suffers the loss of his father in the war and the premature death of a friend. As the war ends he sees in the refugees who flood into his town, the horror of displacement, hunger, fear, defeat. Because of his ill-health, Mark has to stay for some time in a sanatorium, where he is fascinated and frightened by a very charismatic bigger boy, Sannes, who on one occasion, sexually assaults him. Sannes is the focus of the sequel novel to be published by Indra in late 2004, The Eyes of the Tiger.

From the Bonnegilla migrant camp, to the secondary school examinations board, Mark’s life gradually becomes more established. The story ends on a positive note, as if, after the often harrowing hard work of growing up and settling into a new country Mark feels he is about to set off into the independence of his maturity.

March 2004, 344 pp
Paperback, 216 x 138 mm
ISBN 1 92078703 8
Fiction, 1st edition
RRP $aud 26-95
ISBN-13 9781920787035

The Author
Originally from Denmark, Manfred Jurgensen settled in Australia at the age of twenty-one, working as actor, playwright and reviewer. Manfred started publishing poetry in the early seventies and to date, he has produced thirteen collections.

He taught literature at Melbourne, Monash and Queensland University where he was appointed to a Personal Chair. From 1984 to 1996 he edited the influential journal of multicultural literature, Outrider. In 1988 he edited the bicentennial Penguin anthology, Australian Writing Now (co-editor Robert Adamson).

Over the last twenty years Manfred has published novels, plays, film scripts, diaries, essays, short stories, literary criticism and poetry. In addition to his writings in English, much of his literary and academic work appears in German. He is a prolific translator and advocate of contemporary Australian literature.

Manfred’s books published by Indra, are The Trembling Bridge and The Eyes of the Tiger.

Fiona Hindmarsh, a successful middle-aged economist, likes to live her life her way.

Beginning the love-of-her-life affair with the gorgeous Laine Macready, a girl who wears a Hardie Aimes shirt like no one else can, she is interrupted by a phone call. Her sister, Gillian, brings her the news that their mother, Muriel, had a heart attack at the top of a plum tree she was pruning and died. Irritably Fi sets off on a night-time drive home to help Gillian organise the funeral.

What precisely is home for Fi? Where her mother lived in Northern New South Wales, among the tea-drinking relatives who, as Gillian reminds her, made Fi what she is today? Is home the girl of the moment who happens to make her heart miss a beat? Or is home merely one of the houses Fi has bought in Australia or leased in Bali?

Fi is contrary, her head and her heart responding to different music. And as a child, Fi was sensitive to the ghostly spirits of the Bundjalung who inhabited the land the Hindmarshes and the Darks took over for dairy farms. How does she reconcile the mutterings and wailings and chantings she hears in her heart with the classic cinema sound booming in her head and the skin-smarting indignity of betrayal?

A novel combining a love story with a perspective on the farmers’ settlement history of the Far North Coast of New South Wales, that grew with new grass on old rainforest soil.

March 2003, 232 pp
Paperback, 216 x 138 mm
ISBN 0 9578735 8 1
Literary fiction, 1st edition
RRP $aud 22-95
ISBN-13 9780957873582

The Author
Carolyn van Langenberg grew up in the rural hinterland of the Far North Coast of New South Wales. She has travelled in Southeast Asia and Europe. Carolyn’s books reflect her background in Australian and English literature, Asian history and creative writing. She lives with her husband in the Blue Mountains.

The fish lips trilogy, set in Malaysia and Australia from the 1940s to the 21st century, looks at three angles on love: heterosexual, homosexual and tortured.

In fish lips, Rose, Li-tsieng’s paramour, becomes a ghost when the Japanese bombed Penang in 1941. Was she ever real?

Fiona Hindmarsh in The Teetotaller’s Wake longs to be back with her new girlfriend during the family ceremonies that follow her mother’s death.

In Blue Moon, urban conservationist Badul Mukhapadai tries to save Penang, Malaysia, from developers and falls in love with the clean air of Byron Bay, Australia, where he consummates his passion for the prickly historian, Gillian Hindmarsh.

The Fish Lips Trilogy… by Carolyn van Langenberg
Fish Lips 2001 $aud22.95 ISBN: 0 95858059 6
The Teetotaller’s Wake 2003 $aud22.95 ISBN: 0 95787358 1
Blue Moon 2004$aud27.95ISBN: 1 92078710 0

The Real Desire is a collection of essays, written over the last ten years by Robyn Ferrell, who is now Associate Professor of Philosophy at the University of Melbourne. This collection is for the general reader as well as the academic and student.

In The Real Desire, the lenses of art, philosophy, sensuality, and the dreamscape invite us to explore the many guises of desire. A childhood interwoven with Aboriginal history, the banalities of buying real estate, discussion of lingerie, writers and writing, and feminist analysis of some of the great philosophers of the past.

Robyn Ferrell has brought together in one volume essays of discovery – “Pinjarra 1970″; rites of passage – “Kingdom of God” and “Feminine Arts”; disillusionment – “Paris Does Not Exist”; and critical analysis – “Hemingway’s Typewriter” and “Real Desire”.

Robyn combines the clarity of journalistic prose with the rigor of academic analysis. These essays are written for general interest as well as academic investigation.

Before he offered, it had not occurred to me that he could want what I wanted. Or, rather, that he could give this shape to what I wanted; an erotic definition. Because philosophy tutorials had been such a cerebral pleasure, like the cold light of stars. His skin, too, was cool and he continued to have a sylvan quality, only now under the influence of passion he had become a satyr or minor forest deity. from Feminine Arts

In Europe, the place of art in things becomes suddenly much clearer. There, one can see the old power under the new, like the original timber beneath the paint. In the grand architecture, the very place, that overbearing grandeur makes it not possible to avoid consciousness of the necessity of art in a world of an ancien régime; the consolation and subversion, the reflection art provides. from Paris Does Not Exist

They say that a dream of water refers to deep feeling. Aesthetics is that branch of philosophy which considers feeling. It deals with beauty, art, sensibility, passion. It would deal, if it could, with love. It is a quixotic enterprise, like reclaiming land from the sea. The tides of feeling are governed by a force we do not get to command; but we must make some effort for fear of being drowned in it. from Interpretation of Dreams

Paperback, 210 x 138 mm, 196 pp
Literary essays, 1st edition
ISBN: 1 92078701 1
RRP $aud 27-95
ISBN-13 9781920787011
Short-listed NSW Premier’s Prize

The Author
Robyn Ferrell worked as a journalist on the Sydney Morning Herald before doing her doctorate in philosophy at the University of New South Wales. Now she is the Associate Professor of Philosophy at the University of Melbourne. As well as her books, Robyn is the author of numerous academic and journalistic articles.

Robyn is drawn to the creative breadth of essays, which can be didactic or elliptical, erudite or impassioned, and in which you can tell stories, gossip, advance speculations and explore feelings. Robyn has been a student of desire for as long as she has been a writer. The two have always accompanied each other – feeling and analysis, theory and expression, world view and personal opinion.

Robyn’s earlier books
Genres of Philosophy (Ashgate 2002)
Passion In Theory (Routledge 1996)
The Weather and Other Gods (Frances Allen 1990)
Co-editor, Cartographies: Post-structuralism and the Mapping of Bodies and Spaces (Allen & Unwin 1991)

The Eyes of the Tiger is a novel of friendship, love and corruption. Set in Brisbane during the disastrous 1974 flood, two very different men, the immunologist Mark and the charismatic ‘Prince of Spice’ Sannes, struggle for the affection of the high-spirited, fiercely independent lawyer Jessica. In a highly charged, profoundly disturbing relationship, betrayal of friendship and violation of love interact and collide with the ever-increasing moral deterioration of ‘the Moonlight State’.

Jurgensen’s new novel depicts evil as a seductively demonic power of rampant decomposition, generating from the realm of personal intimacy to the corruption of civilised society. Its narrative of power and passion takes the reader on a frightening journey, culminating in apparitions of a predatory god.

March 2004, 400pp
Paperback, 234 x 153 mm
Literary fiction, 1st edition
ISBN 1 92078711 9
RRP $aud 27.95
ISBN-13 9781920787111

The Author
Originally from Denmark, Manfred Jurgensen settled in Australia at the age of twenty-one, working as actor, playwright and reviewer. Manfred started publishing poetry in the early seventies and to date, he has produced thirteen collections.

He taught literature at Melbourne, Monash and Queensland University where he was appointed to a Personal Chair. From 1984 to 1996 he edited the influential journal of multicultural literature, Outrider. In 1988 he edited the bicentennial Penguin anthology, Australian Writing Now (co-editor Robert Adamson).

Over the last twenty years Manfred has published novels, plays, film scripts, diaries, essays, short stories, literary criticism and poetry. In addition to his writings in English, much of his literary and academic work appears in German. He is a prolific translator and advocate of contemporary Australian literature.

Manfred’s books published by Indra, are The Trembling Bridge and The Eyes of the Tiger.

This poetic novel of a never-ending journey between the West and Japan reflects a new world of constant transition, a world in which love forms the reality and the dreams of the future.

The garden faced the Hydrangea Temple near the sea. It was one of those old tea-houses that have a verandah on all four sides to view the garden in all seasons. When it was the hydrangea season the big wild-grown flowers bowed down in the rain. I would press them to my face and drink the water gathered in their petals. They tasted lavender, blue and purple…

No-one lives here anymore, this is the house my mother bought for me to grow up in. It was here that I was looked after by a woman I called ‘Aunty’, while my mother worked as a geisha in Tokyo…

He had told me about the woman in the hospital… she had been his mistress for nine years, and now she was in a sanatorium. The room had glass windows on one side, facing the river which ran into the Imperial moat and you could see the same SNOW crystal neon sign from up high in his study.

Our bodies were bathed in sweat. My hair was twisted around him like a rope with its strands come undone…

Tokyo, lying below had looked like a big box of sparkling jewels. The first photos that he took of me, naked, sealed our relationship. My smiling eyes are looking into his, past the camera lens. Images of light and shadow, and his own vision of me…we spent many long afternoons taking photographs. Slowly he licked his thumb, and ran it around my nipple, to make it glisten wet…

2002, 168pp
Paperback, 216 x 138 mm
ISBN 0 9578735 0 6
1st edition
RRP $aud 21.95
ISBN-13 9780957873506

The Author
Wendy Ella Wright is an Australian who graduated from Sophia University, Tokyo, where she has lived on and off for many years. Wendy was awarded her doctorate at the University of Adelaide. The Air of Tokyo is her first published novel.

In Japan her poetry and translations have been published in such magazines as Tokyo Journal, OVNI and Artworks.

In Australia, her poetry, prose and translations have been broadcast in “Poetica A” on ABC Radio, and by 5UV, Writers’ Radio.

Henry Ditassio is a repressed clerk living a claustrophobic life. His repetitive compulsive existence at A.G. Muir’s office has left no room for prospect until he meets bored narcissistic manipulative Arb Ginghus whose obsession with Henry can only explode in a kind of madness.

In this story of mad imagination & taut relationships Kirwan puts popular wisdom and our concepts of time on its head. As Arb Ginghus says, “If there is one thing I despise it is common sense for it will teach you nothing that is worth knowing; it is the obscure, the impractical, the impulsive which tells you what is what.”

Kirwan’s mordant wit takes us on a journey where recollection and perception become confused, strangely echoing our own lives.

A beautifully crafted, disarming novel.

For readers who like psychological thrillers, dark fantasy, a surrealist take on life.

December 2004, 160 pp
Paperback, 210 x 138 mm
ISBN 1 92078706 2
Literary fiction, 1st edition
RRP $aud 23-95
ISBN-13 978

The Author
For twenty years since the mid-seventies, Valerie Kirwan was something of a legend in Melbourne theatre, writing, directing and performing plays which challenged and enchanted her audiences.

More recently, Valerie is writing novellas and short stories in which she tests her characters against the subconscious stresses that exist below the surface of our outwardly normal, everyday world. Through intrigue, suspense, and more than a little sardonic humour, Valerie challenges us to join in her psychological dramas.

Valerie’s published books
Taking A Fool to Paradise (Indra 2004)
Lovers and Losers of the Last Century (Indra 2001)
The Disease of the Silkworm (Hornets Nest 2000)
The Moon is Bloodshot (Hornets Nest 1999)
The Will to Fall (Penguin 1984)

Valerie Kirwan’s sharp observation and sharper wit presents us with these four cameos of love loved and love lost in the last decades of the twentieth century. Local stories with universal themes, the novellas reflect the emotional roller coaster of the century of alienation.

And then there were the good nights - a novella about love, friendship and good times over two decades 1974 to 1994 - focuses on a small group of friends whose lives revolve around theatre and their relationships.

In the cold morning light - a mystery thriller and a story of elusive love. When Aysin returns alone to Charles’s isolated house without Bebe, her lover, she becomes obsessed with questions about Bebe’s fate and Charles’s role in her disappearance.

Michael - a story of illusory love - portrays a domineering mother through the eyes of Anna, her son’s girlfriend. Domination and alienation mark the bleak days spent at Michael’s mother’s house, days that culminate in Anna’s losing Michael as he withdraws into a new identity, which allows her no place in his life.

Mrs Wedge’s Waterford and a crate of champagne - a black comedy about life without love - is Lou Wedge’s story of coping with her irascible ailing mother and her own frustrated loneliness.

Feb 2001, 210pp
Paperback, 215 x 138 mm
ISBN 0 9585805 1 0
RRP $aud 20.95
Literary fiction; Novellas
ISBN-13 978

The Author
For twenty years since the mid-seventies, Valerie Kirwan was something of a legend in Melbourne theatre, writing, directing and performing plays which challenged and enchanted her audiences.

More recently, Valerie is writing novellas and short stories in which she tests her characters against the subconscious stresses that exist below the surface of our outwardly normal, everyday world. Through intrigue, suspense, and more than a little sardonic humour, Valerie challenges us to join in her psychological dramas.

Valerie’s published books
Taking A Fool to Paradise (Indra 2004)
Lovers and Losers of the Last Century (Indra 2001)
The Disease of the Silkworm (Hornets Nest 2000)
The Moon is Bloodshot (Hornets Nest 1999)
The Will to Fall (Penguin 1984)

A powerful love story that moves recklessly back and forth through time to the most intimate meetings of cultures, histories and bodies. Nicholas Jose

Gillian Hindmarsh is an Australian researcher, investigating architectural history in Penang, Malaysia. From a city archive, she souvenirs a photograph of Rose, a young English woman from the 1940s. In Gillian’s imagination, Rose is a black and white romantic fantasy taken from an old forties movie.

Rose, however, was real. She has no family name to identify her. Her ghost is seen from time to time by fisherman in the waters off Georgetown, and in 1982, when disturbed by dredging for a bridge to the mainland, she looks for a body into which to reincarnate. And she wants her lover, Li-tsieng to reincarnate also.

Wang Li-tsieng, the dissolute son of a wealthy Straits Chinese family, returned from the safety of exile in Chile, to be with his English Rose. Shortly after his return, they were killed by a bomb, as they danced in the underwater dining hall of one of the Wang family mansions in Georgetown.

Patrick Dreher, Gillian’s lover, is a dredging engineer who rents a house on Jalan Dunn, where he is disturbed by Rose’s spectral presence. Rose makes a significant choice by allowing herself to be seen by Gillian, in Patrick’s house.fishlips weaves together issues of history and memory, east and west, body and spirit, coloniser and colonised in a fiction that interrogates the ways we order both individual and collective histories to make sense of our own worlds.

In this dark romance, loss and madness hover just below the surface.

September 2001, 200 pp
Paperback, 216 x 138 mm
ISBN 0 9585805 9 6
Literary fiction; First Edition
RRP $aud 22-95
ISBN-13 978 0958580595

The Author
Carolyn van Langenberg grew up in the rural hinterland of the Far North Coast of New South Wales. She has travelled in Southeast Asia and Europe.

Carolyn’s books reflect her background in Australian and English literature, Asian history and creative writing. She lives with her husband in the Blue Mountains.

The fish lips trilogy, set in Malaysia and Australia from the 1940s to the 21st century, looks at three angles on love: heterosexual, homosexual and tortured.

In fish lips, Rose, Li-tsieng’s paramour, becomes a ghost when the Japanese bombed Penang in 1941. Was she ever real?

Fiona Hindmarsh in The Teetotaller’s Wake longs to be back with her new girlfriend during the family ceremonies that follow her mother’s death.

In Blue Moon, urban conservationist Badul Mukhapadai tries to save Penang, Malaysia, from developers and falls in love with the clean air of Byron Bay, Australia, where he consummates his passion for the prickly historian, Gillian Hindmarsh.

The Fish Lips Trilogy…by Carolyn van Langenberg

Fish Lips, 2001
$aud22.95
ISBN: 0 95858059 6

The Teetotaller’s Wake, 2003
$aud22.95
ISBN: 0 95787358 1

Blue Moon, 2004
$aud27.95
ISBN: 1 92078710 0

The third book of Carolyn van Langenberg’s Fish Lips trilogy completes the saga of a troubled farming family based in North Eastern New South Wales and their connections over two generations with families in the Malaysian island of Penang. Blue Moon, though the third title in the trilogy, is not a sequel to the prior novels.

Jacqueline Dark is a social worker specialising in emergency housing for the poor in Sydney during the 1990s. Jacq and her brother Kel hit a bad mid-life patch when memories of their rural childhood with their crazy mother Lydia destabilise them. Jacq takes stress leave to Penang in Malaysia. While there, she tries to solve the mystery of her mother’s belief that there is a family connection with Penang.

Lydia’s life is paralleled by Ng Chu Yee in Penang, Malaysia, who is also frustrated, in her case by her husband’s gambling.

Crisply written and tightly structured, Blue Moon is one of those novels that is hard to put down.

December 2004, 336 pp
Paperback, 216 x 138 mm
ISBN 1 92078710 0
Literary fiction; First Edition
RRP $aud 27-95
ISBN-13 978

The Author
Carolyn van Langenberg grew up in the rural hinterland of the Far North Coast of New South Wales. She has travelled in Southeast Asia and Europe.

Carolyn’s books reflect her background in Australian and English literature, Asian history and creative writing. She lives with her husband in the Blue Mountains.

The fish lips trilogy, set in Malaysia and Australia from the 1940s to the 21st century, looks at three angles on love: heterosexual, homosexual and tortured.

In fish lips, Rose, Li-tsieng’s paramour, becomes a ghost when the Japanese bombed Penang in 1941. Was she ever real?

Fiona Hindmarsh in The Teetotaller’s Wake longs to be back with her new girlfriend during the family ceremonies that follow her mother’s death.

In Blue Moon, urban conservationist Badul Mukhapadai tries to save Penang, Malaysia, from developers and falls in love with the clean air of Byron Bay, Australia, where he consummates his passion for the prickly historian, Gillian Hindmarsh.

The Fish Lips Trilogy… by Carolyn van Langenberg

Fish Lips, 2001
$aud22.95
ISBN: 0 95858059 6

The Teetotaller’s Wake, 2003
$aud22.95
ISBN: 0 95787358 1

Blue Moon, 2004
$aud27.95
ISBN: 1 92078710 0