Indra publishing

When Dining with Tigers is a fictional account of a young Chinese English teacher, nicknamed Moby, and his older Australian friend, retired journalist, Wilson. Their story begins in Sydney in 1986, when Moby is billetted at Wilson’s house, and ends in Beijing in the aftermath of the Tiananmen Square massacre.

Moby’s understanding of the Australian, and particularly the Chinese-Australian, way of life slowly develops during his year in Sydney, refining his skills as an English teacher. His own family life in Beijing is presented by way of letters from his wife, who anxiously awaits the birth of her brother’s first child. Her fears of how her brother would react if the child is a girl, become a reality. The personal tragedies caused by the one-child policy make a disconcerting continuity with the family tragedies resultant from the Cultural Revolution.

Interwoven into their adventures and misadventures in Sydney and Beijing are analysis and commentary provided by the 16th century Chinese scholar, Wu Cheng-en and the heroes of his epic Journey to the West. Scholar Wu, who is cast as the narrator of Tigers, uses classical Chinese folk stories and legends to illustrate moral principles and cultural behaviours which are challenged by the circumstances in which Moby and Wilson find themselves. Wu Cheng-en’s heroes – the priest Tripitaka and his companions – argue the merits of how Moby, Wilson and the people among whom they live and work in Sydney and Beijing live out their roles.

Tigers takes the reader from mild street demonstrations in mid-80s Sydney, campaigning against the Australia Card, to the enormity of the demonstrations for liberalisation which culminated in Tiananmen Square on 4 June 1989. The familiar images of Tiananmen Square are recounted verbally, including what is probably the best written account of the young man confronting and stopping the tank, an image which still brings hope to oppressed peoples the world over.

215 x 138 mm Paperback, 376pp
Fiction; 1st Edition
ISBN 0 9585805 2 9
RRP $aud$22-95
ISBN(13) 978 0958580526

The Author
Frank Chan Loh was born in Malaysia, and migrated to Australia, already an acknowledged playwright. His radio plays have been performed on Radio Malaysia, and he has won short story competitions in England. When Dining With Tigers is Frank’s first novel.

Frank, who has an arts degree from the University of Queensland, lives in Sydney with his wife and their two sons. Frank has worked as a waiter and kitchen hand, a wine seller, a factory hand and recently retired from his role as a mathematics teacher. His broad knowledge of Chinese literature and tradition is complemented by his broad reading of Australian and international literature.

Frank, one of the male minority of Asian-Australian writers, has a unique style which reflects his interest in the difference between China and Australia in interpretation of family, nation and personal life.

The Real Desire is a collection of essays, written over the last ten years by Robyn Ferrell, who is now Associate Professor of Philosophy at the University of Melbourne. This collection is for the general reader as well as the academic and student.

In The Real Desire, the lenses of art, philosophy, sensuality, and the dreamscape invite us to explore the many guises of desire. A childhood interwoven with Aboriginal history, the banalities of buying real estate, discussion of lingerie, writers and writing, and feminist analysis of some of the great philosophers of the past.

Robyn Ferrell has brought together in one volume essays of discovery – “Pinjarra 1970”; rites of passage – “Kingdom of God” and “Feminine Arts”; disillusionment – “Paris Does Not Exist”; and critical analysis – “Hemingway’s Typewriter” and “Real Desire”.

Robyn combines the clarity of journalistic prose with the rigor of academic analysis. These essays are written for general interest as well as academic investigation.

Before he offered, it had not occurred to me that he could want what I wanted. Or, rather, that he could give this shape to what I wanted; an erotic definition. Because philosophy tutorials had been such a cerebral pleasure, like the cold light of stars. His skin, too, was cool and he continued to have a sylvan quality, only now under the influence of passion he had become a satyr or minor forest deity. from Feminine Arts

In Europe, the place of art in things becomes suddenly much clearer. There, one can see the old power under the new, like the original timber beneath the paint. In the grand architecture, the very place, that overbearing grandeur makes it not possible to avoid consciousness of the necessity of art in a world of an ancien régime; the consolation and subversion, the reflection art provides. from Paris Does Not Exist

They say that a dream of water refers to deep feeling. Aesthetics is that branch of philosophy which considers feeling. It deals with beauty, art, sensibility, passion. It would deal, if it could, with love. It is a quixotic enterprise, like reclaiming land from the sea. The tides of feeling are governed by a force we do not get to command; but we must make some effort for fear of being drowned in it. from Interpretation of Dreams

Paperback, 210 x 138 mm, 196 pp
Literary essays, 1st edition
ISBN: 1 92078701 1
RRP $aud 27-95
ISBN-13 9781920787011
Short-listed NSW Premier’s Prize

The Author
Robyn Ferrell worked as a journalist on the Sydney Morning Herald before doing her doctorate in philosophy at the University of New South Wales. Now she is the Associate Professor of Philosophy at the University of Melbourne. As well as her books, Robyn is the author of numerous academic and journalistic articles.

Robyn is drawn to the creative breadth of essays, which can be didactic or elliptical, erudite or impassioned, and in which you can tell stories, gossip, advance speculations and explore feelings. Robyn has been a student of desire for as long as she has been a writer. The two have always accompanied each other – feeling and analysis, theory and expression, world view and personal opinion.

Robyn’s earlier books
Genres of Philosophy (Ashgate 2002)
Passion In Theory (Routledge 1996)
The Weather and Other Gods (Frances Allen 1990)
Co-editor, Cartographies: Post-structuralism and the Mapping of Bodies and Spaces (Allen & Unwin 1991)

NOT AVAILABLE:   OUT OF PRINT

The Irish community who came seeking gold brought their old-world conflict with them to the new land of Australia. The Orange and the Green focussed their antagonism on neighbourhood pubs in 1875, at a time of waning profits and underemployment on the famous Ballarat goldfields.
The mines and mining tragedies loom large in the background as the Catholic community in Ballarat celebrated the centenary of the birth of Daniel O’Connell, known as the Liberator because he won a degree of emancipation for the Catholic majority of Ireland. The mounting pressures of this special day in the life of the Globe Hotel bring young Tommy Farrell to a newfound strength and resolve, breaking free of the bonds of his youth, to claim his own liberation – freedom to believe, freedom to grow and freedom to love.
This novel is down to earth and compelling, but well-crafted and finely balanced. The vernacular of the Irish settlers and their Australian-born children which adds to the flavour of the novel, is authenticated by Jill’s grasp of Irish usage, and her working knowledge of the Irish language.
An interesting insight into early development of the Catholic Church in Australia is presented, not as an interruption to the narrative, but as an integral part of this special day in the life of the Irish in Ballarat.

248pp Paperback, 216 x 138 mm
Fiction, 1st edition
ISBN: 0 9578735 3 0
RRP $aud 23-95
ISBN-13 9780957873539

The Author, Jill Blee, has a BA and an MA in history from Macquarie University, an MA in writing from the University of Western Sydney, and a PhD in History from the University of Ballarat. Her interests are principally in Irish and Irish-Australian history and literature and both have featured in her own writing. Over many years her attention has been focussed on Ballarat and the Irish migrants who settled there during and after the goldrushes of the 1850s.
Jill’s three novels published by Indra all have an Irish flavour – The Pines Hold Their Secrets, Brigid and The Liberator’s Birthday. The first concerns an Irish convict wrongly banished to Norfolk Island; the second is set in Ireland during the Irish Potato Famine, and the third focuses on a day in the life of an Irish family on the Ballarat goldfields.Jill’s From the Murray to the Sea, Indra, 2004, is a comprehensive history of the Catholic education system in the Diocese of Ballarat, Australia

Stories of Indian Pacific are three novellas, set in New Caledonia, Australia and Indonesia, written in Dewi Anggraeni’s engaging style that moves easily from one location to the next.

To Drown a Cat explores racial tension in New Caledonia; Uncertain Step is the story of an Indonesian bride in Australia; and in Crossroads two artists, an Australian and an Indonesian, meet in Bali.

To Drown a Cat is set in 1988, shortly after the violent confrontation between the French army and Kanak separists in the northern island of Ouvea. The story explores the tensions that explode in bloody confrontation, within a family divided by allegience to two sets of ancestors, the French Caldoche and the indigenous Kanak.

Uncertain Step tells the story of Aryani, and her relatively late marriage to Steve, an Australian teacher who already has two children, and is still good friends with his previous wife. Aryani finds the Australian scenery, Steve’s hometown, Adelaide and people’s response to herself very different from everything she is used to in Bandung. Her uncertain step into marriage with this warm but almost unknown Australian is the story of so many Asian brides and their Australian husbands.

In Crossroads, the young Australian rock singer, Justin is introduced to a new world of art and life, when he meets the Balinese poet and playwright, Nyoman. Justin sees for the first time, art as close to nature and art as important for political and social change.

Oct 1992, 265pp
Paperback, 215 x 138 mm
ISBN 0 9587718 3 9
RRP $aud 18.95
Fiction 1st edition
ISBN-13 978

The AuthorAs a published writer of novels, short stories and essays, and an established role as a regional journalist, Dewi Anggraeni is well-known in both Australia and Indonesia, especially among those in both countries who maintain an interest in regional affairs.

Her major works have been published by Indra Publishing:Who Did This To Our Bali?, 2003
Snake, 2003
Neighbourhood Tales: A Bilingual Collection, 2001
Journeys Through Shadows, 1998
Stories of Indian Pacific, 1992
Parallel Forces, 1988
The Root of all Evil, 1987

Dewi’s poetry, short stories and essays appear in anthologies from a range of publishers:
“Journey to My Cultural Home” in Weaving a Double Cloth; Stories of Asia Pacific Women in Australia (Ed. Myra Jean Bourke, Susanne Holzknecht and Annie Bartlett, Pandanus Books, 2002)
“Exposing Crimes Against Women” in The Last Days of President Suharto (Ed. Edward Aspinall, Herb Feith and Gerry van Klinken, Monash Asia Institute, 1999)
“Rejected by Ibu Pertiwi” in Motherlode (Ed. Stephanie Holt and Maryanne Lynch, Sybylla Feminist Press, 1997)
“From Indonesia to Australia and Back: Cultural Sensitivities” in Crossing Cultures: Essays on Literature & Culture of the Asia-Pacific (Ed.Bruce Bennett, Jeff Doyle, Satendra Nandan, Skoob Books, 1996)
“Illegal” in Our Heritage (Ed. Satyagraha Hoerip, Pustaka Binaman Pressindo, 1993)
“Irritations” in Striking Chords (Ed. Sneja Gunew and Kateryna O Longley, Allen & Unwin, 1992)
“Mal Tombé” in Beyond the Echo (Ed. Sneja Gunew and Jan Mahyuddin UQP, 1988)”A Foreigner in East Gippsland” in Up From Below (Women’s Redress Press Inc., 1987)

While Indonesia and Australia form the focus and location of Dewi Anggraeni’s works, this collection of short stories, Neighbourhood Tales, explores themes shared by people in every country, every culture. Stories of love, stories of mystery and stories of the family can be found throughout the world, and this bilingual book captures the local flavour for both Australian and Indonesian readers.

Neighbourhood Tales vary widely from the passionate, sensuous world of the composer in “Music for Libretto”, through the dark haunting flashbacks to the shared past of Australia and Indonesia in “The Hut”; from the unexpected humour of marital instability in “Family Law”, to the touching discovery of a child’s special gift in “Synesthesia”.

Dewi paints word pictures which carry her readers inside the relationships between her characters, between her characters and their surrounds, between her neighbouring home countries – Australia and Indonesia.

This book presents a new approach in bilingual books – the stories have not been translated from the language in which they were first written. The twelve stories have all been written twice, once in English, once in Indonesian. In re-writing her stories in the second language, Dewi has allowed for the differences in writing conventions and social mores between Australia and Indonesia.

What is acceptable in Australian writing is not always accepted in Indonesia. What is plausible in Indonesian writing can sometimes seem far-fetched or fanciful in Australia. This makes the collection eminently suited to students and others interested in learning about the culture of Indonesia, not just the language.

July 2001, 248pp
Paperback, 216 x 138 mm
Fiction, 1st Edition
ISBN 0 9585805 7 X
RRP $aud 21.95
ISBN-13 978 0958580571

The Author
As a published writer of novels, short stories and essays, and an established role as a regional journalist, Dewi Anggraeni is well-known in both Australia and Indonesia, especially among those in both countries who maintain an interest in regional affairs.

Her major works have been published by Indra Publishing:
Who Did This To Our Bali?, 2003
Snake, 2003
Neighbourhood Tales: A Bilingual Collection, 2001
Journeys Through Shadows, 1998
Stories of Indian Pacific, 1992
Parallel Forces, 1988
The Root of all Evil, 1987

Dewi’s poetry, short stories and essays appear in anthologies from a range of publishers:
“Journey to My Cultural Home” in Weaving a Double Cloth; Stories of Asia Pacific Women in Australia (Ed. Myra Jean Bourke, Susanne Holzknecht and Annie Bartlett, Pandanus Books, 2002)
“Exposing Crimes Against Women” in The Last Days of President Suharto (Ed. Edward Aspinall, Herb Feith and Gerry van Klinken, Monash Asia Institute, 1999)
“Rejected by Ibu Pertiwi” in Motherlode (Ed. Stephanie Holt and Maryanne Lynch, Sybylla Feminist Press, 1997)
“From Indonesia to Australia and Back: Cultural Sensitivities” in Crossing Cultures: Essays on Literature & Culture of the Asia-Pacific (Ed.Bruce Bennett, Jeff Doyle, Satendra Nandan, Skoob Books, 1996)
“Illegal” in Our Heritage (Ed. Satyagraha Hoerip, Pustaka Binaman Pressindo, 1993)
“Irritations” in Striking Chords (Ed. Sneja Gunew and Kateryna O Longley, Allen & Unwin, 1992)
“Mal Tombé” in Beyond the Echo (Ed. Sneja Gunew and Jan Mahyuddin UQP, 1988)
“A Foreigner in East Gippsland” in Up From Below (Women’s Redress Press Inc., 1987)

How can one man stand up against against the will of his own people and refuse to fight in a war he doesn’t believe in? What sort of courage does it take to refuse to become one more brave soldier going off to war?

Or is Gerry’s anti-war attitude just a selfish desire to continue his comfortable life with his girl-friend, his leftist poetry-readings and his botanical research?

Set in New Zealand and Italy during World War ll, this novel portrays the anxieties and dilemma for a man who is conscripted to fight in a war he doesn’t believe in. And when he is conscripted, Gerry Cook realises he is not heroic enough to refuse the call-up. Gerry’s resolution of his dilemma is as clear as it is shocking.

The intensely local setting of Lancewood portrays a very ordinary man and woman confronting universal questions of duty and love, honour and freedom.

In Alan Marshall’s first novel, he provides a perspective on war, in which rebellion against authority is the individual’s main defence.

1999, 210pp
Paperback, 215 x 138 mm
ISBN 0 9585805 1 0
Fiction, 1st Edition
RRP $aud 20.95
ISBN-13 978

The Author
Born in Lower Hutt, New Zealand, Alan Marshall dropped out of high school to travel. He gained his BSc (Hons) from the University of Wolverhampton in England, his M.Phil from Massey University in New Zealand, and completed his doctorate at the University of Wollongong, New south Wales. Alan currently lives in Slovakia.

Lancewood is Alan’s first novel.

Motivation, persistence and perseverance are the distinct traits of determined and dedicated individuals who can make things happen. It’s always possible, even when the task is awesome – transforming the mindset of human beings.

Located in India’s capital, New Delhi, Tihar is one of the largest prisons in the world. Within a prison complex of over 200 acres are housed over 9,700 inmates – men, women, adolescents, children; Indians and foreigners. They comprise unconvicted alleged offenders, convicts and remandees. Tihar was a limping, languishing institution, condemned by the media, and its inmates were isolated from the community, exploited, used and abused, yet ‘housed’.

Dr Kiran Bedi was appointed Inspector General of Tihar Prison in 1993. She brought about fundamental changes, giving a human face to the administrative structure and creating an exemplary system covering every possible aspect of prison management. The whole objective was to collectively and individually manage the transition from a moribund system to a responsive and sensitive administration. Hence her efforts unfolded the process of reformation involving prison administration, prisoners and the community, toward one common goal – Correction through a collective approach.

Dr Bedi’s account is enhanced by input from the prisoners themselves, expressing their feelings in letters and sketches, in petitions and poetry. This book is a graphic portrayal of an holistic process of conversion, a metamorphosis from criminality to humanity, achieved within a restrictive legal framework.

Oct 1999, 400pp
Paperback, 231 x 155 mm
Non-fiction
ISBN 0 9585805 3 7
RRP $aud 27.95
ISBN-13 9780958580533

The Author
Dr Kiran Bedi was the first woman police officer in India to become Inspector General of Prisons, when she was put in charge of Tihar, to administer the predominantly male prison, the largest prison in the Asia-Pacific region. Her experience and expertise as a police officer include 26 years of tough yet responsive and interactive policing in different functions throughout India – District policing, Police administration, Traffic control, Narcotics control, and Anti-terrorist operations. Subsequently, she was central to the radical reforms in Tihar, where the focus before she took control, had been merely keeping people locked away from society. She achieved the reforms through her radically humanitarian approach to managing such an institution.

Having earned the reputation of a police officer with a difference, she has represented India at the United Nations, in USA, European and Asian forums on drug abuse, drug trafficking, prison reform, and women’s issues. Recipient of various awards and honours, she has received the Police Medal for Gallantry; the Norway-based Asia Region Award for Work in Prevention of Drug Abuse; the prestigious Ramon Magsaysay Award in 1994, referred to as the Asian Nobel Prize, and in 1997, the Swiss-German Joseph Beuys Award for Holistic and Innovative Management.

Black Ice is a novel set in China, a personal account of the turbulent years of Mao’s continuous revolution, including the social and political upheaval of the Cultural Revolution.

This is a Chinese story which brings to life the suffering, the adventure, the crushing losses, the unvanquished idealism of the otherwise anonymous heroes and heroines of China’s post-war period.

Black Ice tells the story of Mo Bing, from her under-cover work in Shanghai as a Communist Party cadre during the Civil War, through her denunciation and fall from grace during the Cultural Revolution to her rehabilitation and retirement in the early 1990s.

Significant parts of the story include the experience of Mo Bing’s husband as a soldier and prisoner of war during the Korean War. The Cultural Revolution, and the Red Guard movement feature strongly through Mo Bing and her son.

Life can never be exactly the same for Mo Bing and millions of her compatriots when Marshal Lin Biao, Mao’s ‘closest comrade-in-arms’ flees after being accused of attempting to assassinate Mao.

Shaken by the Cultural Revolution, as were many of her generation, Mo Bing develops as a survivor, her survival based on faith in herself, her undying idealism and her personal integrity.

With Black Ice, Trevor Hay and Fang Xiangshu continue their collaboration, building onto their earlier introduction of a distinctly Chinese aesthetic style into Australian literature.

June 1997. 182pp
Paperback, 215 x 138 mm
ISBN 0 9587718 6 3
RRP $aud 20.95

The AuthorsTrevor Hay is a senior lecturer in Literature and Cross-Cultural Studies at the University of Melbourne. He is a speaker of Mandarin Chinese and has lived and worked in China. He has continued to make regular return visits over more than twenty years.
Published works include Tartar City Woman, (Melbourne University Press, 1990), which won the Braille and Talking Book Library’s Audio Book of the Year Award in 1991.

Fang Xiangshu is a lecturer in Chinese at Deakin University. His doctoral thesis is on the Red Guard movement.
Originally from Shanghai, Fang is now an Australian citizen. He came to Australia as a visiting academic in 1984, staying until 1986. Upon his return to China, he found himself in trouble over ‘counter-revolutionary remarks’. Fang fled China and returned to Australia in 1987, where in 1990, he was granted permanent resident status on humanitarian grounds.

Trevor Hay and Fang Xiangshu wrote East Wind, West Wind (Penguin, 1992), which was well reviewed in a wide range of publications.